RME Fireface UFX II USB Audio Interface. At Music Store Live we're all musicians like you, and we know how hard it can be to afford all the gear that you want and need. We encourage you to make us an offer. Often times, you'll be pleasantly surprised!We'll do everything we can to help get that next piece of gear into your hands. AD, Line In 1-8, rear. Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA. Channel separation: > 110 dB. Maximum input level: +19 dBu.
Input: 6.3 mm TRS jack, electronically balanced. Input impedance: 8 kOhm unbalanced, 12 kOhm balanced. Input sensitivity switchable to Lo Gain, +4 dBu. Variable gain: 0 to +12 dB.
Minimum level for 0 dBFS: +1 dBu, -1.2 dBV. Input impedance: 3.4 kOhm. Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA. Maximum input level, Gain 0 dB: +18 dBu.Maximum input level, Gain 75 dB: -57 dBu. Input: 6.3 mm TS jack, unbalanced. Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA.
Maximum input level, Gain 8 dB: +21 dBu. Maximum input level, Gain 50 dB: -21 dBu. DA, Line Out 3-8, rear. Dynamic range (DR): 115 dB RMS unweighted, 118 dBA.
Maximum output level: +19 dBu. Output: 6.3 mm TRS jack, servo-balanced. Output impedance: 75 Ohm unbalanced, 150 Ohm balanced. Output level switchable Hi Gain, +4 dBu, -10 dBV. DA - Stereo Monitor Output XLR (1-2).
Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV. DA - Stereo Monitor Output Phones (9-12).Output: 2 x 6.3 mm TRS stereo jack, unbalanced. Maximum output level at 0 dBFS, High: +19 dBu. Maximum output level at 0 dBFS, Low: +2 dBV. 2 x MIDI I/O via 5-pin DIN jacks. Galvanically isolated by optocoupled input. Hi-speed mode: Jitter and response time typically below 1 ms. Separate 128 byte FIFOs for input and output. Clocks: Internal, ADAT, AES, MADI, word clock. Internal clock: 800 ps Jitter, Random Spread Spectrum. Jitter suppression of external clocks: > 30 dB (2.4 kHz). Effective clock jitter influence on AD and DA conversion: near zero.
PLL ensures zero dropout, even at more than 100 ns jitter. Digital Bitclock PLL for trouble-free varispeed ADAT operation. Supported sample rates: 28 kHz up to 200 kHz.1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992. Accepts Consumer and Professional format. Lock range: 27 kHz - 200 kHz. Jitter when synced to input signal. Jitter suppression: > 30 dB (2.4 kHz).
2 x TOSLINK, format according to Alesis specification. Standard: 2 x 8 channels 24 bit, up to 48 kHz. Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz. Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz.Bitclock PLL ensures perfect synchronisation even in varispeed operation. Lock range: 31.5 kHz - 50 kHz. Jitter when synced to input signal. 1 x optical, according to IEC 60958. Internal termination 75 Ohm switchable. Automatic Double/Quad Speed detection and internal conversion to Single Speed. SteadyClock guarantees super low jitter synchronization even in varispeed operation. Not affected by DC-offsets within the network. Signal Adaptation Circuit: signal refresh through auto-center and hysteresis. Level range: 1.0 Vpp - 5.6 Vpp. Lock Range: 27 kHz - 200 kHz. XLR, transformer-balanced, galvanically isolated, according to AES3-1992. Output level Professional 4.5 Vpp, Consumer 2.6 Vpp. Format Professional according to AES3-1992 Amendment 4. Format Consumer (SPDIF) according to IEC 60958. Single Wire mode, sample rate 28 kHz up to 200 kHz. Sample rate 28 kHz up to 200 kHz. Frequency range: 27 kHz - 200 kHz. Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts. Idle power consumption: 19 Watts. Typical power consumption: 22-25 Watts. Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5). Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3). Total depth: 240 mm (9.4). Weight: 3 kg (6.6 lbs). Temperature range: +5° up to +50° Celsius (41° F up to 122°F). The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.
Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces. Fireface UFX II - The USB Flagship Interface. With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME's famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities.
With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments.Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit's channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME's optional ARC USB remote controller.
RME's Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments.
Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance. Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces.Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. Main monitors and headphone mixes for musicians. TotalMix FX for iPadT App.
TotalMix FX for iPadT adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPadT. The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. Second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives.
This item is in the category "Musical Instruments & Gear\Pro Audio Equipment\Audio/MIDI Interfaces". The seller is "musicstorelive" and is located in this country: US.
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