One XLR/Instrument input upfront, a 2nd at the back. A main stereo pair, and. FireWire 4.00 and USB 2.0.
Complete with PSU, firewire lead, and USB cable - we own all you base! Pad, and trim, per channel. Onboard DSP - the CueMix FX digital mixer, provides. Classic ReverbT with lengths up to 60 seconds. 7-band parametric EQ, featuring filter types carefully modeled after British analog console EQs; and. Two forms of compression: a conventional compressor and the LevelerT, an accurate model of the legendary LA-2AT optical compressor that provides vintage, musical automatic gain control.10 inputs / 14 outputs - there's no channel sharing in the UltraLite-mk3; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels. Front-panel control - access any setting in your entire UltraLite-mk3 mix directly from the front panel. Stand-alone operation - program your mixes at the studio and then bring the UltraLite-mk3 to your gig - no computer needed. Just plug in the included power adapter and you are ready to go.
Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls. Multiple CueMix FX mixes - for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear - with no latency. Two combo jacks provide hi-Z 1/4 guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain. Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4 TRS jacks. Precision Digital TrimT - Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations. Sample-accurate MIDI - connect a MIDI controller and/or sound module with no separate interface needed.MIDI I/O is sample-accurate with supporting software. Ruggedized build, copious I/O, top-drawer, on-board DSP, hybrid use - the UltraLite Mk3 is good to go.