RME Fireface UFX II: 60-Channel, 24-Bit 192 kHz USB Audio Interface - MINT. I have tried many audio-MIDI interfaces and settled with this one. RME makes extremely stable and reliable interfaces. This one is around 2 year old and it has never crashed even once. Supports various different types of connections to connect outboard gear such as effects processors, MIDI keyboard, 2 fantastic headphone OUTs etc.To summarise, these are best in class and the quality is way better of many other interfaces. All my equipment is well looked after with lot of love and care. This RME interface in as-new condition.
I don't have the original box. The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.
Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces. With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RMEs famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments.
Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the units channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RMEs optional ARC USB remote controller. RMEs Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio.
A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance. Improved DURec (Direct USB Recording).
The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives. Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. Main monitors and headphone mixes for musicians. TotalMix FX for iPad App. TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad. AD, Line In 1-8, rear.
Input: XLR, electronically balanced Input impedance: 3.4 kOhm Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA Gain range: 75 dB Maximum input level, Gain 0 dB: +18 dBu Maximum input level, Gain 75 dB: -57 dBu CLIP LED: 0 dBFS SIG LED: -60 dBFS. Input: 6.3 mm TS jack, unbalanced Input impedance: 1 MOhm Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA Gain range: 42 dB Maximum input level, Gain 8 dB: +21 dBu Maximum input level, Gain 50 dB: -21 dBu. DA - Stereo Monitor Output XLR (1-2).
DA - Stereo Monitor Output Phones (9-12) As DA, but. 2 x MIDI I/O via 5-pin DIN jacks Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Separate 128 byte FIFOs for input and output. Clocks: Internal, ADAT, AES, MADI, word clock Low Jitter Design: < 1 ns in PLL mode, all inputs Internal clock: 800 ps Jitter, Random Spread Spectrum Jitter suppression of external clocks: > 30 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero. PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz. AES/EBU 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 High-sensitivity input stage (< 0.3 Vpp) SPDIF compatible (IEC 60958) Accepts Consumer and Professional format Lock range: 27 kHz 200 kHz Jitter when synced to input signal: < 1 ns Jitter suppression: > 30 dB (2.4 kHz).
ADAT Optical 2 x TOSLINK, format according to Alesis specification Standard: 2 x 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz 50 kHz Jitter when synced to input signal: < 1. SPDIF optical (ADAT2) 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz 200 kHz Jitter when synced to input signal: < 1 ns Jitter suppression: > 30 dB (2.4 kHz).
Word Clock BNC Internal termination 75 Ohm switchable Automatic Double/Quad Speed detection and internal conversion to Single Speed SteadyClock guarantees super low jitter synchronization even in varispeed operation Not affected by DC-offsets within the network Signal Adaptation Circuit: signal refresh through auto-center and hysteresis Overvoltage protection Level range: 1.0 Vpp 5.6 Vpp Lock Range: 27 kHz 200 kHz Jitter when synced to input signal: < 1 ns Jitter suppression: > 30 dB (2.4 kHz). AES/EBU XLR, transformer-balanced, galvanically isolated, according to AES3-1992 Output level Professional 4.5 Vpp, Consumer 2.6 Vpp Format Professional according to AES3-1992 Amendment 4 Format Consumer (SPDIF) according to IEC 60958 Single Wire mode, sample rate 28 kHz up to 200 kHz. ADAT 2 x TOSLINK Standard: 2 x 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz. SPDIF optical (ADAT2) Format Consumer (SPDIF) according to IEC 60958 Sample rate 28 kHz up to 200 kHz.Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts Idle power consumption: 19 Watts Typical power consumption: 22-25 Watts Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5") Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3") Total depth: 240 mm (9.4) Weight: 3 kg (6.6 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensing. The item "RME Fireface UFX II 60-Channel, 24-Bit 192 kHz USB Audio Interface MINT" is in sale since Friday, June 14, 2019. This item is in the category "Musical Instruments\Pro Audio Equipment\Audio/MIDI Interfaces". The seller is "asdrad" and is located in High Wycombe. This item can't be shipped, the buyer must pick up the item. Sampling Rate: 24 Bit (192 kHz)